Reflections on play

These days of busy holiday businesses, long to-do lists, cold mornings and bodies in thick black winter coats rushing up and down the streets in relentless search for perfect objects to buy and consume, a word keeps rumbling in my mind:

Leg [ˈlɑjˀ]

In Danish, this does not refer to one of the two body parts that connect your feet and your torso. It means play, or game.

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Leg. Lege. Legende. Legesyg. Legeplads. Legekammerat. Legebetingelser. 
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Play. Plays. Playing. Playful. Playground. Playmate. Play conditions.  

The playful body

When was the last time you shared a playful moment with someone?

A couple of weeks ago I was in a four day workshop with two lovely teachers from Teatro de los Sentidos – an internationally acclaimed theater company, who for decades has been making immersive, sensorial theater plays with an actively involved audience.

Theatre play. The connection between play and performance is obvious here. In Danish, not the word play, but the word “stykke” (piece), is traditionally used about a piece of drama. However, the Danish word “forestilling” (imagination) can as well be used as a synonym for the theatrical performance.

So, we can say: “I saw the imagination (at this or that theater), and really liked it”

Imagination. Play.

In the workshop, Theatro de los Sentidos kept circling around the intention of creating an imaginary. How spaces can be transformed into imaginaries. How rooms, houses, nests, and other built spaces can encapsulate and evoke dreams.  How this is crucial for their method of creating sensorial journeys where the audience is the protagonist.

The workshop became such an imaginary in itself. For four days, we played countless games. Mostly they were plain, simple children’s games, but they made us laugh, sweat, loosen up and become better listeners. (When was the last time you played hide and seek with someone at your own age? Try it!). We immersed in countless blindfolding practices. And we explored countless rooms in the old, historical buildings of the workshop venue, and made short experiences for each other. Most of the time we worked inside, then at last going out for a while on the last morning. For me, the closed non-space of the theater black box was beautifully contrasted by a stunning winter landscape outside. There is magic in this dark, slow time of the year.

Thank you, Teatro de los Sentidos and Den Danske Scenekunstskoles Efter- og Videreuddannelse, for the (re)treat.

 

The playful city

In the unfolding of Sensescapes, my interest is mainly in how to implement methods from artistic fields of sensorial performance and body work in the everyday lives of everyday people, who work, move and live in everyday surroundings.

In other words: If embodied, sense-based knowledge is as equally important as rational, scientifically based knowledge, how can sensation, sensitivity and sensuousness become more present in our private lives, our homes, work places and  – not the least – in the public space, that we share?

In November, a shared sensescape was created in public, as a Sensescapes workshop was held at the water front of Aarhus, in and around the temporary urban space Dome of Visions. It was part of a three-day urban laboratory program, centered in the fundamental question: How do we create a livable city? (See the whole program here)

Familiar and unfamiliar participants came to explore the space and transform the area through sensorial intervention. The frame of the sensorial workshop was simple as always: After a brief introduction, the participants paired up and tuned into each other’s presence for a moment. Then they set off to investigate impulsively together, hand in hand, without words. One was blindfolded, the other not.

This time, a special emphasis was put on the equality of participation. In any game, so much power lays in the few sentences of instruction! In the intro, I therefore asked the participants to act on their impulses, no matter if their were blindfolded or not. The intention was to create a clear frame for potential curiosity and action to grow. Instead of a blind citizen, waiting for a seeing guide to lead them somewhere, the couples were encouraged to become one joined, impulsive, investigative, playful body.

The game began. Within minutes, individual and shared sensescapes arose.

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Sound play. Photo: Thea Green

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Role play. Photo: Thea Green

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Jump. Photo by Helle Arensbak, Dome of Visions. Take a look at Dome of Visions’ article about the laboratory, for more of her beautiful photos from the workshop.

Later the same day, a few of us blindfolded ourselves and curiously engaged the inside of the dome for a while.

Slowly. In silence. Alone.

 

In a debate on the last day of the laboratory, we re-posted the question: What is a liveable city?

Engaged debate participants suggested various answers to the question. A liveable city is a co-shapable city, a place with diversity, with green areas, with spots to breathe, with respectful meetings, a place where individuals have a sense of belonging.

And so on.

What would you answer?

What is a city worth living in, for you?

Homo Ludens

In 1938 the Dutch cultural theorist Johan Huizinga published Homo Ludens. A study of the play element in culture.  In the book he argues that play is not only a fundamental phenomenon in human culture and society, in fact, “culture itself bears the character of play” (from foreword in J. Huizinga, 1949: Homo Ludens, Routledge & Kegan Paul Ltd). I have still to read the whole book, but as with many great theoretical books, reading the first couple of pages already brings plenty of food for thought:

[…]even in its simplest forms on the animal level, play is more than a mere physiological phenomenon or a psychological reflex. It goes beyond the confines of purely physical or purely biological activity. It is a significant function-that is to say, there is some sense to it. In play there is something “at play” which transcends the immediate needs of life and imparts meaning to the action. All play means something. If we call the active principle that makes up the essence of play, “instinct”, we explain nothing; if we call it “mind” or “will” we say too much. However we may regard it, the very fact that play has a meaning implies a nonmaterialistic quality in the nature of the thing itself.

(Chapter 1, page 1)

… a nonmaterialistic quality in the nature of the thing itself! This corresponds wonderfully with the theoretical background of Sensescapes, where the aesthetic is regarded as an intentional search for impulsive perception with no other aim or agenda than the aesthetic experience itself. Thus, throughout the last months, is has become clear to me that the essence of Sensescapes is play. To playfully explore a relational world that is present in this moment, with and through the body, with and because of each other.

But what can you use it for?  Nothing! Sensescapes is useless! It wants to be useless! It intends nothing else than – borrowing Huizinga’s words – transcending the immediate needs of life in the here and now. No hidden evaluation forms. No efficacy measurement. No promise of life changing fitness results, and obviously no materialistic gains. Sensescapes intend to facilitate playful relations between bodies and their surroundings with no other aim than the powerful force of play in itself.

These are the good news.

The bad news is that this work-and-life philosophy is having a seriously hard time in real, actual, globalized life.

As I write these words, news are constantly throwing bombs of depressing information from all over the world. Horrified, dust-covered children from Aleppo. A truck driver killing randomly at a Christmas market in Berlin. Wars, refugees, climate crisis, natural catastrophes, terror, political madness, suspicion, inequality, trauma.

Have our world lost its playfulness?

Let’s hope not. Recently I met a great guy who is founder of the locally based Counterplay Festival. We chatted about play, and he said, almost in a side comment, that playing is highly political.

Of course it is. Perhaps more than ever.

In a time of too much hopelessness, despair and desperation, let us be deadly serious in bringing back playfulness to society. If playing together is transcending the immediate needs of life, play is not only for kids. It is for everyone. I dare even say, it is a human right to play.

With wishes of a seriously playful midwinter season,
and a New Year of hopeful togetherness,
Lotus

 

 

 

 

 

 

 

 

 

Categories: aesthetics, Blindfolding, Cityscape, Playfulness, Workshop | 1 Comment

VILD SANS // VILD DATA invitation

screen-shot-2016-10-02-at-13-27-16Have you listened to your city today? Have you felt it? Smelled it? What did it say?

For three days, a team of curious artists, process consultants and researchers invite all citizens of Aarhus to explore the area Aarhus Ø. Together we explore, experience and enrich the atmosphere in the rough, open harbour area, based in the temporary urban space Dome of Visions.

We play with perspectives. We use the body as a mapping tool. We record moods, emotions between pebbles and tower blocks, and challenge each other’s usual way of being in the city. The events are gathered and interpreted through technological data and in the end we look at the result and ask: What is a liveable city?

The urban lab is facilitated as a collaboration between the sense laboratory Sensescapes, the research project Making Sense of Data and the process consultant company Urban Goods. Our vision is the to make a bridge between artistic practice and academic research – between embodied experience and data based analytics. And to give citizens a possibility to explore an urban area that is going through major transformation these years, through experience, reflection and dialogue.

Time: 22-24.11./ 2016
Place: Dome of Visions, Aarhus Ø

Entrance fee: Free

Participants: Everyone are welcome for a couple of hours, one day or for the whole program. Just remember to sign up at vildsansvilddata.dk at the latest the day before your participation.

Sign up and follow the development of the full program at vildsansvilddata.dk and on our facebook page

SEE YOU!!!

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Explorations at the Port of Aarhus

Glimpse from an improvised research walk on-site as preparation for our facilitation of a collaborative, open urban laboratory in Dome of Visions on Pier 2 at Aarhus Ø, coming up in November 2016. Thrilled, trembling and thankful for the opportunity to play with bodies and senses in an urban area that is going through major transformation these years.

Official announcement of the lab in November coming soon!

Photographer, data researcher and observer: Thomas Bjørnsten
Blind walk test participant: Thea Green
Sensorial explorer and guide: Lotus Lykke Skov

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Forest encounters with little people

Greetings from the late summer forest Risskov, where the performance figure Flora is wandering this month.

Flora is a curious and playful nature explorer, who loves to go for a walk and see what happens. She likes her own company as well as being with other childlike souls.

This time, she has invited groups of 4-5 year-olds and their pedagogues to investigate the forest with her. She has brought her backpack, a blanket and a basket, and she has brought her most important tool:

All the senses.

Come along and get to know what experiences the forest will provide today!

Read more (in Danish:) here

Photos: Marianne Duus, Børnekulissen, Aarhus Kommune

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Categories: aesthetics, kids, Landscape Dialogues, perception, Playfulness, Sight, Touch | 1 Comment

Exciting summer news from Sensescapes

A New Era

WITH GRATEFUL SHOUTS OF JOY, it is a tremendous pleasure to announce the long awaited birth of Sensescapes as a sense laboratory, officially organized as an association where YOU can become a member.

This is our fundament:

  • Sensescapes is a laboratory for multisensorial exploration.
  • The aim of Sensescapes is to inspire people to become more sensuous, sensible and sensing in their everyday life.
  • The laboratory seeks to provide, facilitate and develop sustainable activities with aesthetic quality. 

Everyone who agrees with the above principles, can become a member of the Sensescapes association.

The official founding happened last week. On a wet summers’ day, six dedicated souls joined around the wooden dining table in my living room on fourth floor in the middle of Aarhus. Our purpose was to bring the work of Sensescapes to its next level.

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Regulations for our association where written. Papers where signed and a wonderful board constituted itself. The leaders of the Sensescapes association are now:

Chairman: Inger Kærgaard, teacher, biologist and environmental activist with special love for trees (read an interview with her here)
Vice Chairman: Lauge Rasmussen, MA in Experience Economy and co-founder of Pitcherific.com
Treasurer: Jacob Vibe, forester and owner of Vibes Træpleje
Board member: Ida Krøgholt, lector and Ph.D. at department of Dramaturgy, Aarhus University
Board member: Pernille Kølbæk, Ba in Aesthetics and Culture, MA in Experience Economy, project manager at LEGO

 

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Signing the regulations of the association of Sensescapes.

With this lovely, diverse leadership group, and with myself as daily caretaker and developer of the laboratory, Sensescapes is now open for new experiments, new encounters, new immersions and new horizons.

Thrilling.

Would you like to become a member and supporter of the laboratory? Then read more about membership here.

Exploring taste – eating the local

In the spirit of sustainable, sensory encounters with the everyday, a little experiment was made for the meeting. It began with a restriction: All servings was to be made only from locally grown ingredients. Usually my shopping basket contains lots of things that has been shipped from all over the world. By changing my natural behavior with this one-time restriction, I wanted to explore the personal changes in food perception and eating experience. Since I live in the middle of the city and own no garden, this seemed like a fitting challenge for an exploration of the local.

It was midsummer. I took my bike and a couple of books about edible plants and went along Brabrandstien, a path running alongside a lake just outside the city.

This is what I found and brought home:

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What Brabrandstien could not provide, I found and bought at the local farmers market and in local stores.

Coming home, another major change appeared. Usually I do not spend hours in the kitchen. Here there was no choice but to follow the speed of slow preparation. Chopping, baking, cooking, mixing, washing, cutting, spreading, sniffing, arranging, saving, waiting, tasting.

As hours went by, food preparations evidently became a sensory meditation. Not meditation in the sense of relaxing wellness, but in the sense of focused awareness of the present beings, movements, scents, colors and emotions in the here-and-now.

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In my living room the board meeting was at its end. In the kitchen, food was ready.

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Dinner was served

Værsågod (here you go):

Cherries from Brabrandstien.
Homebrewed mead from our wedding two years ago. Strawberries from Samsø. Apple juice from Fyn, and beer from Den Gamle By.
Beets from a nearby field, slowly baked with onion and chili from a family member’s green house.
Nettles and beet tops stewed in homemade butter from the local farmers market and cream from the south of Jutland.
Salats with potatoes from Samsø and goat cheese from Horsens, topped with rapeseed oil from the north of Jutland, and various flowers from around.

Plus some more.

In my home we have an everyday ritual of holding hands and saying thanks for the food before eating dinner. Not as a religious prayer, but as a mindful verbalization of the long procedure of growing, picking, sending, buying, making and sharing the food.

This night, performing the daily practice of gratitude made deeply sense. For the first timer ever at a dinner table, I had an actual, embodied knowledge of the origin of nearly every single ingredient on the table. The presentation took a while, as I listed all the things and the places they had grown or been made.

After hours of talking, the atmosphere shifted as we started eating. Collectively we fell into tune with each of our sensation of the time demanding preparation and the appearance of the food for our eyes, tongues and hands. It was a pleasure.

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A few days later, I read a short book about taste by the Danish food anthropologist Susanne Højlund. She describes taste as a multisensorial phenomenon, not only a sense located in our mouth, but involving all parts of our body. Besides the sensory stimulation of eating, she adds, taste is also a culturally situated experience, colored by our expectations, the history of the food, and the social aspect of sharing it (Højlund, Susanne, 2016: “Smag”, Aarhus University Press). This approach stems perfectly with my experience of our meal. For me, the meal became a full-body sensation of eating a piece of Danish summer.

With great hope for future projects and explorations to come!

Lotus

 

 

Categories: aesthetics, Birth, Cityscape, Country side, Dreams, Euphoria, Gratitude, Motivation, PR, Process, Sensorial meditation, Short experiment | Leave a comment

Traces of the countryside

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Every time I visit this farm land, it unfolds itself anew to me

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And this time, a whole new dwelling in the barn

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A hideaway for peace seekers. Scents of oil on wooden tables. Feelings of not yet discovered spots in this newly built studio, of empty drawers, curvy walls, unread books in a personal library

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On the first evening, I went on a stroll to revisit the piece of land where the consept of Sensescapes has been developed

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Familiar smells of dust and years of history, mixed with new sensations. A door at the back. Behind it a brand new apartment for visitors 

 

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It started pouring

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Line and Christine ran across the yard with food for our midsummer feast

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Around eleven a tounge of fire flickered in the light night

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On the other side: Nordic maypole. Ground mist. Wet grass under rubber boots. Silence.

 

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Pernille visited. A friend and kindred spirit. I took her on a blindfolded walk. Then we talked. Paused. Tuned in with our own sensory experiences with the living land. Then we did short blindfolding excercises.

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Turning animal

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Laughter. Movement. Play.

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The following days drifted through embodied sensations of countryside beings. Big and small.

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Alive and dead

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Plain bliss of slowing down to the speed of a babyscape. Of our daugthers’ first summer. Meeting a horse for the first time. Whearing rubber boots for the first time. Eating sand at the sea shore for the first time. Whatching flies on a table for the first time. Things like that.

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Now back in my urban home, the soft hills of Mols Bjerge still fresh in mind and body. Gratitude and peaceful wishes to Secret Hotel for the wonderful stay. Read more about their residencies here.

 

 

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Without seeing you can be transported everywhere

Memories from a workshop session in Barcelona

About a year ago, a Sensescapes workshop was facilitated in Barcelona, in Parc de La Ciutadella, as part of Experimental Room Festival – a festival with human/time/site specific performances and workshops, curated and organized by Atelier Escènic Stoyanova.

Six lovely Barcelonian souls participated. One of them had brought her mother, who had never tried anything like this before. Some were artists in the performance field. Some spoke English, some not, so one of the participants also functioned as my translator.

We had two wonderful hours together. The participants curiously inhabited the park and investigated playful ways of embodied relation to each other, to the ground, the plants, other park guests, and to all other sensorial components in our momentary sensescape.

During our time together, each participant had the change to be led blindfolded and to be guiding someone else. Every exploration session ended with a short feedback, where the participants paused from their silence for a while, and shared three words to describe their immidiate impression of their experience. Afterwards I have had their notes with the three keywords translated from Spanish to English, so today I can re-read what they said.

Here is a glimpse of the atmosphere around our workshop in the park that day.

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And here are some of the feedback notes:

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I like the way impressions are mixed and open to interpretation in these feedback notes.

Listening. Frightening. The Unknown.

Hugging trees. Seeds. Water.

Wonderful.

Attention.

Tendernes. Trust.

Fantasy, memories, time travels. Why time travels? Because with eyes closed you can be transported everywhere. Countries, landscape, childhood…

The urge to speak and be in contact with something honest, primal and profound.

Sensescapes contains it all.

Thanks to Experimental Room Festival for making this happen. By the way, this years’ festival is just around the corner, so if you happen to be in Barcelona, you might want to take a look at their program.

With hope of many more blindfolded explorations to come,
Lotus

 

Categories: Blindfolding, Cityscape, Feedback, perception, Playfulness, Workshop | 1 Comment

Dwelling in the Woods

Not far from the North American east coast, in the depths of the state of Maine, there is a small region named Denmark. Here, where country roads curve between pine trees and big wooden houses, a spring retreat was held a couple of weeks ago at Nurture Through Nature Retreat Center. Our little family went there in the middle of three intense weeks of travel in the US, rooted ourselves and found a home for the heart to dwell and be silent in.

Here we are. In the North.

Arrival. At first, the sight is met by a sign with the logo of the place. A turtle. Here the retreat begins.

Go slow.

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Next, we find ourselves embedded in wood. Trees, wood cabins, wood surface under feet, over head, smell of fresh wood, of dry wood, of wood everywhere.

Our cabin is next to the big one. It has a name. Harmony. And a porch.

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There is sun.

There is snow.

We turn off our cell phones. Aahhhh. Why do I not turn that thing off more often?

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We eat (organic vegetarian delicious stuff). We gather. Ten bodies in a studio space (with wooden floor). We stretch.

We fall into place.

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Photo: Nurture Through Nature

There is an encouragement to be silent from evening to breakfast. We accept, let go of words and become Beings. I think, how can I be silent with a baby to take care of?

It turns out just fine. She sounds. We, the parents, listen. She goes to sleep and we listen to other things. The night. The super clear sky. Stars. Forest floor. Forest.

In the early morning, before breakfast, we all do a silent walk together. The land is breathing, the air is crisp.

Time to observe, feel, reflect.

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Time to sit and read, or lie down and play.

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Time to (re)open all senses, walk with bare feet, share a spontaneous, intimate experience with a another free spirit.

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Time for a ceremonial sauna! And a dip in the brook.

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Or just a walk by the brook. Connecting to what is flowing outside and inside.

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Listening to the water. (Next time you come across anything worth listening to, try sharpening your hearing like this:)

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Time for scaping the land and saying thanks.

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Photo: Rasmus Skov

Time for nurturing family togetherness by dwelling. Together in the woods. Another silent walk, just the three of us. Baby Iris laughing, me laughing along, daddy smiling. Playfulness needs no words, naturally.

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Time for (re)connecting with something basic. Taking a shit in nature (or, actually just on a really nice compost toilet, but still…). Walking slowly, slowly in the pit dark night with no lights. Waking up in the cold morning, cursing over the ice cold air outside the sleeping bag. Sweating in the steamy hot sauna, afterwards dipping in the stream, blood rushing from head to toe. Element-brush-up. Internet-break-free.

And perhaps most important of all: Being honest to oneself. Taking what there is for what it is. Not pretending. Not even thinking of pretending. Just being.

20160502_095948-1If you should come across Denmark, Maine, do yourself a favour and visit the place. It offers both all-inclusive retreats and accommodation for self-organized retreats. And Jen, the facilitator, is wonderful.

From Denmark to Denmark, cheers! For unexpected blessings, baby lessons and spring sprouts.

 

 

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Photo: Nurture Through Nature

Categories: Country side, Gratitude, Silence | Leave a comment

Dreams, openings, connections

Today I did a guided baby walk in my neighbourhood. Nine mothers with nine babies in nine baby carriages made a spectacular body of moving legs, wheels and heads in the grey morning of Aarhus city centre. Together we explored some local gems: an old crypt, a hidden garden, a hip street transformed from slum, a mysterious pig monument and at last a café with more breastfeeding customers than not.

Doing guided walking tours the classical way is not directly connected to Sensescapes, but the stream of intention underneath is the same: To raise awareness of our everyday surroundings, getting embodied experiences of the things, beings and events that are already there. As the test walk today was a success, I intend to do a series of them this coming summer and fall. If time and space allow it. So stay tuned!

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As days come and go, new connections appear. I was honoured to be contacted by my main theoretical inspiration source for the master thesis about Sensescapes, Professor in Human Geography Edmunds Bunkse from Latvia. A kindred spirit, he concluded from our chat.

Yes. New dreams and visions of local and cross-country connections are slowly, slowly being formed:

A former fellow student, asking to pair up and share the depths of knowing life and death from a sensitive mind’s perspective. A soul to walk with in the everyday challenges.

A British artist in the inbox, encouraging Sensescapes to visit a festival of senses in London next year.

Sudden meetings like this one. Sudden openings.

A visit in the beautiful building Dome of Visions, which will soon move from Copenhagen to Aarhus to become a frame for experimental practices, dreams and creative events. Perhaps Sensescapes could and should contribute…

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A gift from a generous landscape enthusiast and artistic director: 4 days residence in the soft landscape of Mols Bjerge in June, on the farm where I have been researching, playing and working so many times now. I will go there with my little family and see what creativeness the land will inspire.

Gifts, ideas, encouragement, sprouts.

And through it all, a constant state of motherhood relations, preoccupying the mind with strangely down-to-earth impulses: Little one, are you tired? Hungry? Bored? Impatient? Hands, eyes, ears, nose, mouth and feet completely immersed in tiny sensations. Now we dwell in the living room together, now the bed, or the bathroom, or the local park, or a train. Without further notice, I have become an all-time facilitator of the babyscape created and maintained by the presence of my daughter’s curious discovering of the world. My world becomes her world and vice versa. What a responsibility.

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Next week we will travel across the Atlantic to make new experiences and reconnect with older generations. There is still some time before maternity leave ends and I will have an opportunity to turn (some… a few) dreams into real projects. Let’s see. Let’s see.

Oh, and did I mention this blog has been referred to in a (not-very-intellectual) Danish weekly magazine for middle aged women doing needlework and handicrafts? No kiddin’. A journalist from “Hendes Verden” called and asked to use a photo of a cairn my husband did in Iceland in the magazine. I said yes and so Sensescapesblog.wordpress.com is now to be found in a cheasy section about creativity online, along with adds for DIY table cloths and coffee scrub:

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Surprises and openings in all directions! To be continued when summer is around the corner.

See you!

Lotus

 

 

Categories: Birth, Cityscape, Country side, Dreams, Motivation, Playfulness, Process | Leave a comment

Spring news 2016

After my last blog post, spring turned into to summer, and in a glimpse of an eye, summer gave way to autumn, autumn quickly became winter, and now my little Nordic country is in spring mood again, with blooming windflowers and days of constant rain-sun-rain-sun-rain…

In all this time, things have happened. Jobs. Workshops. Travels. New encounters. I have become a mother. A newborn life has enriched and transformed the aesthetics of my everyday into tiny sensations. Baby-sensations. A world of experience and learning. A full-full-full-time job.

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Little Iris and mother Lotus enjoying spring time

But Sensescapes is not far away, neither dead – only resting, like a sprout in the soil, and I am waiting with eager curiosity for time to be ripe for new actions and reactions in the field of landscapes and senses.

Here’s a reflection of one of the activities done in 2015:

Sensescapes as Experimental Anthropology 

A Sensescapes workshop was facilitated in April ’15, as part of a one-day’s programme in Secret Hotel, on the old farm in Mols Bjerge. The participants were a small group of Master students from a course in Experimental Anthropology, Aarhus University, and their teacher. The workshop was intended as an experiment of Experimental Anthropology in itself, investigating the potential of adding the role of an observer to the usual blindfolding exercise of a guide leading a blindfolded participant in a given landscape.

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Introducing ways of guiding. Photo: Secret Hotel

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Observer (left), guide (in the middle) and blindfolded. Photo: Secret Hotel

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Guide (left), blindfolded (in the middle) and observer. Photo: Secret Hotel

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Guide (at the back), blindfolded (in the middle) and observer (in front). Photo: Secret Hotel

With observers as part of the one-on-one practice, a radical shift was created in the character of the concept as I have facilitated it before. First of all, two became three, which makes the relational side of the practice more complicated. But more important, the active bodily sensation of the landscape, performed and experienced by the duo of blindfolded and guide, was now accompanied by a more passive third body, who followed the couple closely and silently.

As the photos show, the observers seem to take a specific position in their engagement with the surroundings. Hands stored away in pockets, bodies standing or walking upright. Yet their eyes carefully follow every action of the investigating couple. Perhaps a tension between intense observation and intense blindfolded sensation was created. Perhaps a double layer of reflection was established. The duo knew that they where being observed, and the observers knew that they knew.

In response to the exercise, I asked each participant in the workshop to share three words describing their experience. Now, an example from this feedback session can open a reflection in relation to the development of the practice of Sensescapes so far:

Lotus: “Write down the first three words that come to your mind, describing your immediate impression of what we just did. Read them out loud to us.”

Blindfolded participant: “Childlike. Playfulness. Trust.”

Guide: “Vision. Responsibility. Inventiveness.”

 

When I asked the participants to explain their feedback keywords in plenum, it appeared that all the participants, including the observers, has found the workshop fun and interesting. Even if it could feel a little awkward and perhaps slightly intimidating, the observers, felt they had been part of the exercise as well, and they had felt inspired by what they had seen. Thus, a general feedback from the whole group was how they wanted to do something like this again.

Now, if blindfolding can be a direct door to multisensorial encounters with a landscape, how can an embodied position of ONLY seeing contribute to the multisensorial space of here-and-now? In other words: why add an observer in the practice?

For me as the facilitator, the short experiment became a successful statement of how observation cannot and should not be separated from sensation. By seeing, the observer, too, is sensing. Only it is a different sensation, just like the sensation of an audience in a play is different from the sensation of the actors on stage. Still, they are all contributing to the event as a whole. By attaching observers to each couple of blindfolded/guiding explorers, the overall sensescape was not decreased, but expanded. In total, defining three, not two, roles in the exercise, can show how both being blindfolded, being a guide and being an observer can potentially contribute to the creation and exploration of a given sensescape, as a landscape inhabited and experienced through a multisensory mode of being with and in the world (read more on my definition of sensescapes here.)

With the hope of sharing more reflections and actions with you soon,
Lotus

 

 

 

Categories: aesthetics, Birth, Blindfolding, perception, Secret Hotel, Short experiment, Sight, Workshop | 1 Comment

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